Fooled Ya!

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Be careful out there. Not everything is as it seems. Tricks, traps and smooth talkers are everywhere. Read on for some of the most famous cons ever.

Tomorrow is one of my favorite days of the year.  It’s when I get to play some practical jokes on the family.  Nothing too serious of course, but all in good fun. I have to admit I am not nearly as good at this as my girls!  it’s especially fun with the grandkids, as they are not old enough to know what I’m really up to. Although in full disclosure I think they will never really know what I’m up to anyways! (That’s part of my charm!)To trick, or con someone, on a larger scale to me is morally unjust and legally inadvisable – but there is nonetheless an art to pulling off an effective con. Throughout history, there’s been some doozies – some are so outlandish, so conniving, and so audacious that we can’t help but be fascinated. Thanks to the internet and the digital nature of scams like phishing, it’s getting harder and harder to actually fooling people to follow your tricks. But once upon a time, cons were up close and personal. Special thanks to mentalfloss.com and spyscape.com for the stories – I picked some of my favorite hoaxes, impersonations and other tricks.  Enjoy!

Here’s some music to enjoy while you read (it will make sense when you read the last con)

Selling the Eiffel Tower

As is probably fitting, much of the life of Victor Lustig is unclear, including his name (when he was at Alcatraz, he was held under Robert V. Miller). Lustig was a famous counterfeiter, but it’s said his biggest swindle came in 1925, when he had documentation arranged identifying him as the “Deputy Director General of the Ministère de Postes et Télégraphes.” The premise was simple: Lustig set up meetings with scrap iron dealers and told them that the Eiffel Tower, then in desperate need of repair, was going to be demolished and its materials sold off to the highest bidder. All of the dealers were interested, but Lustig fixated on André Poisson, asking Poisson for a bribe in order to “award” him the materials. After securing the money, Lustig fled France but soon returned to try to perpetuate the same scam a second time…he went to jail.

The Man Who “Revealed” Howard Hughes

A writer of little regard in the 1970s, Clifford Irving concocted a literary scheme for the ages. He approached publisher McGraw-Hill in 1971 claiming that he had struck up a rapport with eccentric aviator and billionaire Howard Hughes, who had largely retreated from public life. Irving’s con was simple: He offered editors an autobiography of Hughes, one he would secretly invent out of whole cloth, and bank on the fact that Hughes would never come forward to debunk it. After netting hundreds of thousands of dollars for various publishing deals, Irving was dismayed to discover Hughes could indeed be bothered to come out of hiding and deny any knowledge of Irving or his book. In 1972, Irving and his wife and co-conspirator, Edith, pled guilty to conspiracy in federal court and conspiracy and grand larceny in state court. Irving went to prison for 17 months, but a book did materialize: 1972’s Clifford Irving: What Really Happened (later retitled The Hoax), in which Irving recounted the con in detail. Irving, who died in 2017, said he thought it was a harmless “joke” and that he would do it again if given the chance.

The Golden Gulch Gold Mine

The secret to good business for Ed Barbara, a furniture salesman in the San Francisco Bay area in the 1970s and 1980s, was irritation. Barbara became a well-known figure by peppering the region with annoying commercials. He also did more than just irritate: In 1984, Barbara declared he had a 50 percent interest in the Golden Gulch gold mine near Truth or Consequences, New Mexico. The site was said to be prepared to excavate gold worth as much as $93 million in the first year alone; Barbara’s company, Dynapac, Inc., sold shares, netting Barbara big profits.  It was a con, of course. A whistleblower, mine assayer David Fingado, disclosed the mine was meritless to CNN. Less than a week later, he was dead after a highly suspicious car crash (though the official report determined it was an accident. Barbara fled before being hauled back to New Mexico to stand trial on fraud and racketeering charges. He racked up guilty verdicts in 1988 but fled on bail and remained a fugitive until his death in 1990.

The NASCAR Driver Who Wasn’t

It takes guts and glory to drive on the NASCAR circuit. Alternately, you could just lie your face off and hope for the best. That was the strategy for L.W. Wright, who entered the Winston 500 race in Talladega, Alabama, in 1982 and who (falsely) claimed country music star Merle Haggard was a sponsor. Wright then went around in search of a race car and convinced several race veterans to part with money so he could get some wheels under him. All of it seemed on the level because it seemed preposterous anyone would lie about being a NASCAR pro. Wright performed poorly, completing just 13 out of 188 laps—enough for second-to-last place, because the car in last place crashed—and then disappeared in a haze of bounced checks and no real hint as to his actual identity.

The Trunk Scam

In the 1700s, Barbara Erni traveled in and around Liechtenstein toting a large trunk secured to her back. Living a nomadic existence, she would make frequent stops to secure lodging for the night. Each time, Erni would tell the innkeeper that her trunk contained her most valued possessions and to put it in the most secure room in the inn. The owners obliged, unaware that the trunk didn’t hold clothes or jewels—it contained a co-conspirator who would spring out of the trunk, scoop up any valuables, and then disappear with Erni in tow. The plot worked for 15 years until Erni and her partner were arrested in 1784. As a sentence for their crimes, the two lost their most valuable possessions: their heads.

The Record-Setting Con

In the late 1980s, pop music heralded the arrival of Milli Vanilli, an energetic song-and-dance duo that had a hit album, Girl You Know It’s True, and the Grammy for Best New Artist. Performers Rob Pilatus and Fab Morvan certainly looked the part of pop stars, with model looks and sharp dance moves. They had come out of the Munich music scene and were signed by producer Frank Farian, who decided that a complete pop package would need something more—like singing talent. Farian masterminded a plot in which Rob and Fab would be the faces of Milli Vanilli while other vocalists did the heavy lifting. Farian later claimed he didn’t know the act would get as big as it did. After three number one singles and worldwide adoration, the band was subjected to more scrutiny, and Rob and Fab started demanding to do their own singing. Rather than allow that, a panicking Farian held a press conference where he disclosed the truth.

Bunch more if interested: CLICK

 

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DO YOU LIKE CONTESTS?
Me, too.
As you may know the Kowalski Heat Treating logo finds its way
into the visuals of my Friday posts.
I.  Love.  My.  Logo.
One week there could be three logos.
The next week there could be 15 logos.
And sometimes the logo is very small or just a partial logo showing.
But there are always logos in some of the pictures.
So, I challenge you, my beloved readers, to count them and send me a
quick email with the total number of logos in the Friday post.
On the following Tuesday I’ll pick a winner from the correct answers
and send that lucky person some great KHT swag.
So, start counting and good luck!  
Oh, and the logos at the very top header don’t count.
Got it? Good.  :-))))
Have fun!!

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Record Breakers

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The King at the top where he belongs, Elvis in 1956! Harry Belafonte next. A wall of gold records. Queen’s signed gold plaque. Glenn Miller and his band. And look there! A very young Johnny Cash admiring Kowalski Heat Treating’s very first gold record for PIA (Pain In The @%$) Jobs!!!!!!! That’s his manager, Sam Philips, standing and mugging the camera.  :))))))))

With the Super Bowl this weekend, many of us with be cheering on either the Chiefs or Eagles along with our favorite players while consuming way too many pre-game snacks, like Aunt Edna’s three bean touchdown cheesy chip dip.  Unlike most fans, those of us in Cleveland won’t be  pondering why “our” team didn’t make it again while watching future hall of famers showcase their talent. Some will also debate the GOATs (greatest of all time) while watching the game.  Old timers will fight for their era quarterbacks, linebackers, and receivers, while the younger set will stare aimlessly trying to figure out who they are talking about (Johnny U, Leroy Kelly, Bart Star, Jerry Rice to name just a few). While it’s fun to debate the gridiron elites, another “greatest” milestone took place on this day back in 1942, when the first gold record was presented to Glenn Miller and His Orchestra (hey grandpa, what team did he play for…and what’s an orchestra?). In the early days, selecting a “gold” song required counting the total sales of the song in its prime. So, for my audiophiles out there, here’s a little history on the rankings and awards along with some links to just some of the GOATs. Thanks to Wikipedia and YouTube and all the artists for these hits.  Enjoy!

Some background music while you read

  • Music recording certification is a system of certifying that a music recording has shipped, sold, or streamed a certain number of units. The threshold quantity varies by type (such as album, single, music video) and by nation or territory.
  • The original gold and silver record awards were presented to artists by their own record companies to publicize their sales achievements. (interesting marketing trick).
  • The first gold disc was awarded by RCA Victor (under division imprint Bluebird Records) to Glenn Miller and His Orchestra in February 1942, celebrating the sale of 1.2 million copies of the single, “Chattanooga Choo Choo“. (great video!!!)
  • Other examples of a company award is the gold record awarded to Elvis Presley in 1956 for one million units sold of his single “Don’t Be Cruel”.
  • The first gold record for an LP was awarded by RCA Victor to Harry Belafonte in 1957 for the album Calypso (1956), the first album to sell over 1,000,000 copies in RCA’s reckoning.
  • The first silver disc was awarded by Regal Zonophone to George Formby in December 1937 for sales of 100,000 copies of “The Window Cleaner”.
  • At the industry level, in 1958 the Recording Industry Association of America (RIAA) introduced its gold record award program for records of any kind, albums or singles, which achieved one million dollars in retail sales. These sales were restricted to U.S.-based record companies and did not include exports to other countries.
  • (RIAA) was established for singles in 1958, and the RIAA also trademarked the term “gold record” in the United States. On 14 March 1958, the RIAA certified its first gold record, Perry Como’s hit single “Catch a Falling Star”. The Oklahoma! soundtrack was certified as the first gold album four months later.
  • For albums in 1968, this would mean shipping approximately 250,000 units; for singles the number would be higher due to their lower retail price.
  • The platinum certification was introduced in 1976 for the sale of one million units for albums and two million for singles, with the gold certification redefined to mean sales of 500,000 units for albums and one million for singles. The first was awarded to the Eagles compilation album Their Greatest Hits (1971–1975) on 24 February 1976, and to Johnnie Taylor’s single “Disco Lady” on 22 April 1976.
  • In 1999, the diamond certification was introduced for sales of ten million units. In the late 1980s, the certification thresholds for singles were dropped to match that of albums.
  • In most countries, certifications no longer apply solely to physical media but now also include sales awards recognizing digital downloads (in the US and UK since 2004).
  • In June 2006, the RIAA also certified the ringtone downloads of songs. Streaming from on-demand services such as Apple Music, Spotify, Tidal and Napster has been included into existing digital certification in the US since 2013, and the UK and Germany since 2014.
  • In the US and Germany, video streaming services like YouTube, VEVO, and Yahoo! Music also began to be counted towards the certification, in both cases using the formula of 100 streams being equivalent to one download. Other countries, such as Denmark and Spain, maintain separate awards for digital download singles and streaming.
  • The International Federation of the Phonographic Industry (IFPI) was founded in 1996, and grants the IFPI Platinum Europe Award for album sales over one million within Europe and (as of October 2009) the Middle East. Multi-platinum Europe Awards are presented for sales in subsequent multiples of one million. Eligibility is unaffected by time (from date of release) and is not restricted to European-based artists.
  • The Independent Music Companies Association (IMPALA) was founded in April 2000 to grow the independent music sector and promote independent music in the interests of artistic, entrepreneurial and cultural diversity. IMPALA launched sales awards in 2005 as the first sales awards recognizing that success on a pan-European basis begins well before sales reach one million. The award levels are Silver (20,000+), Double Silver (40,000+), Gold (75,000+), Double Gold (150,000+), Diamond (200,000+), Platinum (400,000+) and Double Platinum (800,000+).
  • The plaques themselves contain various items under the glass. Modern awards often use CDs instead of records. Most gold and platinum records are actually vinyl records which have been vacuum metallized and tinted, while trimmed and plated metal “masters”, “mothers”, or “stampers” (metal parts used for pressing records out of vinyl) were initially used. The music in the grooves on the record may not match the actual recording being awarded. 
  • Individual plaque-makers produced their awards according to available materials and techniques employed by their graphic arts departments. The plaques, depending on size and elaborateness of design, cost anywhere between US$135 and $275, most often ordered and purchased by the record label that issued the original recording.
  • Elvis is the record holder of the most gold records.  (dad – who’s Elvis?)
  • Fastest song to go gold – just under two weeks – K.O released his latest single“Sete” featuring Blxckie and Young Stunna, The lead single from the veteran rapper’s upcoming fourth album “SR3” (Skhanda Republic 3), has achieved gold certification status (over 1.2 million streams) in record time.
  • Like many awards and recognitions these days, the industry has sort of outgrown the honor and prestige of hitting a milestone such as gold. But that’s ok – we’ll let it go by the wayside of buying and playing our vinyl records.  Check out Billboards “GOAT”.

15 Million (or more) Hard Copies Sold

1942    Bing Crosby — “White Christmas”

1997    Elton John — “Something About the Way You Look Tonight”/”Candle in the Wind

1946    Tino Rossi —  “Petit Papa Noël”

1970    Mungo Jerry — “In the Summertime”

1954    Bill Haley & His Comets —  “Rock Around the Clock”

1992    Whitney Houston —  “I Will Always Love You”

1960    Elvis Presley —  “It’s Now or Never”

1985    USA for Africa —  “We Are the World”

1939     The Ink Spots — “If I Didn’t Care”

1977    Baccara —  “Yes Sir, I Can Boogie”

1997    Celine Dion — “My Heart Will Go On”

1994    Mariah Carey — “All I Want for Christmas Is You”

1991    Bryan Adams — “(Everything I Do) I Do It for You”

1978    John Travolta and Olivia Newton-John — “You’re the One That I Want”

 

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DO YOU LIKE CONTESTS?
Me, too.
As you may know the Kowalski Heat Treating logo finds its way
into the visuals of my Friday posts.
I.  Love.  My.  Logo.
One week there could be three logos.
The next week there could be 15 logos.
And sometimes the logo is very small or just a partial logo showing.
But there are always logos in some of the pictures.
So, I challenge you, my beloved readers, to count them and send me a
quick email with the total number of logos in the Friday post.
On the following Tuesday I’ll pick a winner from the correct answers
and send that lucky person some great KHT swag.
So, start counting and good luck!  
Oh, and the logos at the very top header don’t count.
Got it? Good.  :-))))
Have fun!!

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Mondegreens

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I found out some of my favorite song lyrics are not what I thought!  Whaaaaaaaat!!!!!!!

If you are like me, occasionally you find yourself singin’ in the car (you know from my past blogs, me singing in the house or in public is forbidden) – so when I’m alone, I get to crank up the tunes and sing as loud as I want.  My music is from all over the spectrum – (honestly, I enjoy singing Disney show tunes the best just ask my girls!). And if you’ve ever confused “Takin’ Care of Business” with “Makin’ Carrot Biscuits” or “Bennie and the Jets” with “Betty in a Dress,” you’ve been tricked by a mondegreen. This phenomenon occurs when a word or phrase “results from a mishearing of something said or sung.” We can thank American writer Sylvia Wright for the term, which she coined in a 1954 Harper’s essay. When Wright was a child, her mother read to her from the book Reliques of Ancient English Poetry. A favorite entry featured the line, “And laid him on the green,” which Wright misheard as “And Lady Mondegreen.”  And the name stuck. So, here’s a bit about Mondegreens, and also the “backstories” behind some of the most famous lyrics we’ve enjoyed over the years.  For a good laugh, be sure to click on the link below, and hear some mondegreen classics from comedian Peter Kay – he’s really funny!.  Thanks to You Tube, Wikipedia, interestingfacts.com and Good Housekeeping for the info. Enjoy!

Peter Kay…really funny guy.

A mondegreen occurs when there’s a communication hiccup between the syllables you hear and the meaning your brain assigns to them. Mondegreens are especially common when you hear music but cannot see the singer’s face, like when listening to the radio, especially if the singer has an accent.

Although mondegreens are perhaps most famously associated with song lyrics, they can also happen when everyday words and phrases are misheard. Occasionally, a misconstrued phrase is so common that it enters our lexicon. Such was the case with “spitting image,” which originated as “spit and image” (“spit” once meant “a perfect likeness”), and “nickname,” which began life as “an ekename” (“also-name”).

The creation of mondegreens may be driven in part by cognitive dissonance, as the listener finds it psychologically uncomfortable to listen to a song and not make out the words. Experts suggest that mondegreens are the result of the brain’s constant attempts to make sense of the world by making assumptions to fill in the gaps when it cannot clearly determine what it is hearing.

Some of my favorites: “there’s a bathroom on the right” (CCR) “and there’s a wino down the road” (Led Zeppelin), and “there’s nothing that a hundred men on Mars could ever do”.(Toto).

Lyrics
Ever wonder where some song lyrics come from?  I came across a fun article posted by interestingfacts.com about songs we’ve heard over and over, but never knew how the writers found the inspiration for the lyrics. These are fun, enjoy!

 

Aerosmith – Walk This Way – 1975
In late 1974, Aerosmith was messing around during the soundcheck at a show where they were opening for the Guess Who. They managed to land on the iconic guitar riff and drum beat that would eventually become “Walk This Way.” The lyrics, however, took a little longer. Steven Tyler would just scat nonsensical words — but then Mel Brooks came along. After seeing Brooks’ Young Frankenstein in early 1975, the band members were quoting lines from the movie at each other, including the part where Marty Feldman’s Igor tells Gene Wilder to “walk this way” and Wilder begins to imitate Igor’s hunched steps. Aerosmith’s producer heard the quote and suggested that it could make a great title for the song. Tyler worked his spontaneous scatting into lyrics, and a classic tune was born.

 

Elton John – Phildelphia Freedom – 1975
With lyrics like “From the day that I was born/I’ve waved the flag/Philadelphia freedom,” and because the song came out just a year before America’s bicentennial, it’s easy to assume that Elton John’s “Philadelphia Freedom” is about patriotism. In reality, it’s about tennis legend Billie Jean King. After becoming friends with King in the early ’70s, the British-born John told her that he wanted to write a song in her honor and came up with the idea to name it after her tennis team, The Philadelphia Freedoms. He debuted the rough cut of the song for King and her team during the 1974 playoffs; King immediately fell in love. “He said, during the part where he goes ‘Philadelphia’… ‘That’s you getting upset with an umpire.’ Walking up to the umpire … stomping: ‘PHIL. UH. DEL-phia.’ I was laughing so hard,” she said in an interview with eltonjohn.com.

 

Bonnie Tyler – Total Eclipse of the Heart – 1983
This epic ’80s ballad is certainly a heartbreaker, but the lyrics are just vague enough that it’s not entirely clear what the heartbreak is. In 2002, lyricist Jim Steinman — who was also responsible for Air Supply’s “Making Love Out of Nothing at All” (1983) and Meatloaf’s “I Would Do Anything For Love (But I Won’t Do That)” — came clean about the song’s origins. “I actually wrote [“Total Eclipse of the Heart”] to be a vampire love song. Its original title was ‘Vampires in Love’ because I was working on a musical of ‘Nosferatu,’ the other great vampire story. If anyone listens to the lyrics, they’re really like vampire lines. It’s all about the darkness, the power of darkness and love’s place in [the] dark.”  Steinman revived the idea for a musical called Dance of the Vampires that opened on Broadway in December 2002, but despite starring the legendary Michael Crawford (of Phantom of the Opera fame), the brief, 56-performance show was a flop. Costing $600,000 per week to produce, and ultimately producing a loss of $12 million, the New York Times deemed Dance one of the most expensive Broadway flops of all time.

 

Neil Diamond – Sweet Caroline – 1969
The story of “Sweet Caroline” seems to be ever-evolving. For decades after the song first charted in 1969, no one knew who the mysterious Caroline was. Diamond revealed that the woman of the hour was Caroline Kennedy -he saw a picture of her riding a horse in a magazine. The song itself was about his then-wife, Marsha. Because the two syllables in her name didn’t fit the scheme of the song, the singer racked his brain for a three-syllable substitute that would roll off the tongue. He recalled the famous photo of the young Caroline Kennedy riding a horse, and that’s when he realized that her name (“Sweet Car-o-line” was so good, so good, so good.  If you’ve ever been to an Ohio State football game, there’s nothing like 90,000 fans singing this classic at the top of their lungs.

 

The Beatles – Blackbird – 1968
The lyrics “Take these broken wings and learn to fly” have inspired many people from many different walks of life in the 50-plus years since Paul McCartney wrote “Blackbird.” But at a concert in 2016, he revealed that he had written the song with a very specific issue in mind: civil rights in the U.S. Although he has mentioned the connection several times over the decades, it was particularly poignant when he talked about his inspiration during a 2016 concert in Little Rock, Arkansas.   “Way back in the Sixties, there was a lot of trouble going on over civil rights, particularly in Little Rock,” McCartney said. “We would notice this on the news back in England, so it’s a really important place for us, because to me, this is where civil rights started,” he told the “We would see what was going on and sympathize with the people going through those troubles, and it made me want to write a song that, if it ever got back to the people going through those troubles, it might just help them a little bit.

IF THIS HAS PEAKED YOUR INTEREST, VISIT THIS SITE  and read about some more classics.

 

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DO YOU LIKE CONTESTS?
Me, too.
As you may know the Kowalski Heat Treating logo finds its way
into the visuals of my Friday posts.
I.  Love.  My.  Logo.
One week there could be three logos.
The next week there could be 15 logos.
And sometimes the logo is very small or just a partial logo showing.
But there are always logos in some of the pictures.
So, I challenge you, my beloved readers, to count them and send me a
quick email with the total number of logos in the Friday post.
On the following Tuesday I’ll pick a winner from the correct answers
and send that lucky person some great KHT swag.
So, start counting and good luck!  
Oh, and the logos at the very top header don’t count.
Got it? Good.  :-))))
Have fun!!

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

“Stop, In the …”

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Motown music is attracting a whole new generation…and then some. You go, Detroit!!!

I know, you can see the hand gestures and the singers dancing together.  For me, there’s just something about the classic Motown songs of the 60’s and 70’s.  Seems wherever I am down, or I’m feelin’ low, a good tune by the Temptations, the Miracles or the Four Tops just picks me up and puts a smile on my face (let’s face it, the past months have been tough – for everyone).  60 years ago today, a budding genius named Berry Gordy signed an unknown group of high school girls to his budding label.  After a number of duds, the girls looked to drift off into obscurity, until a simple song hit the charts – and I guess the rest is rock n roll history.  The lead signer was of course Diana Ross, and her group the Supremes.  Here’s some history on the early days, their rocket to stardom, the changes within the group and the end of the ride decades later. Thanks to Wikipedia, Allmusic and Google for the insights.

As you read through, be sure to pick one of these links and enjoy the groove.
Supremes Greatest Hits
Motown Greatest Hits
Earth Wind & Fire – Greatest Hits Live (Full Album)

  • With twelve #1 pop singles, numerous gold recordings, sold out concerts, and regular television appearances, the Supremes were not only the most commercially successful female group of the Sixties, but among the top five pop/rock/soul acts of the decade.
  • The Supremes started out as a quartet known as the Primettes. In 1959, two fifteen year olds, Florence Ballard and Mary Wilson, met at a talent show. Milton Jenkins, who managed a local doo wop group the Primes, wanted a sister group to accompany the Primes for stage performances. Jenkins asked Ballard to put together such an act.
  • Ballard remembered Wilson and the two of them brought in sixteen year old Betty Travis. Prime’s member Paul Williams recommended a fifteen year old from Detroit’s Brewster Housing project Diane Ross and Jenkins named the group the Primettes after Diane’s parents gave their permission to join. The Primettes then started doing club dates.
  • Betty Travis was forced to quit the Primettes because her parents wanted her to pay more attention to her studies. Barbara Martin took her place, but had to leave shortly, as did Ballard, under the same parental conditions. Wilson and Ross continued to work as duo until the two improved their grades and were allowed to rejoin the group.
  • Ballard, Wilson, and Ross could all sing lead, but Ballard’s voice was considered the best and most powerful of the girls.  According to Carolynn Gill of the Velvelettes, “Florence had a very strong gospel voice, and she was the original lead singer. When the group came to Motown, it was Flo’s group – she had formed it and named it”
  • In 1960, the group met Ross’ neighbor William “Smokey” Robinson and auditioned for him in the basement of the home of his girlfriend Claudette Rogers in hopes of getting to Motown’s hitmaker Berry Gordy. Rogers would later become Robinson’s wife and an original member of the Miracles. The audition turned into a dead end, but they did audition for Gordy later, singing the Drifters’ “There Goes My Baby.” Gordy told them to come back after they completed high school.
  • Undaunted the girls began hanging out in Motown’s office reception room. They continued doing local talent shows where they were spotted by Richard Morris, who brought them to Lupine Records owner/producer Bob West. They recorded two sides “Pretty Baby” with Wilson on lead and “Tears of Sorrow” with Ross on lead for West. Released in 1960, the record went nowhere and they were soon back hanging around Motown again, doing handclaps on Marvin Gaye’s early records and singing some backups for blues artist Mabel John.
  • In January 1961 Barry Gordy finally signed them, but required them to change their name. Ballard who had formed the group named them the Supremes. Wilson and Ross initially disliked the name, but Gordy approved. By this time Ross was calling herself Diana Ross.
  • The Supremes’ first single, issued on the Tamla in April 1961 was “I Want a Guy” and the second an R&B dance tune “Buttered Popcorn” with Ballard on the lead. Both went nowhere.
  • The next three singles barely made the bottom of the Hot 100. Things were going so badly that in the middle of 1962 Ross took a job in cafeteria of Hudson’s Department store in Detroit and Martin left to get married.
  • The best of their early releases “When the Love Light Starts Shining,” in the fall of 1963, reached #23 on the charts. By the fall of the 1964 the Supremes had released eight singles with none even making the Top 20.
  • “Where Did Our Love Go,” a Holland-Dozier-Holland song rejected by the Marvelettes, was brought to the Supremes. By August “Where Did Our Love Go” reached #1 on the Pop and R&B charts. In a matter of weeks, the Supremes went from no billing on the Dick Clark Caravan of Stars show to top billing.
  • Ross was now doing all the lead vocals, which did not always sit well with Ballard. Said Carolynn Gill of the Velvelettes, “It was Berry’s choice to put Diana as lead. I think Diana’s voice appealed to Berry because it was young, crisp commercial sound; maybe Flo’s voice was a little too strong for that time. I don’t think Berry chose Diana because he particularly liked her more than the other girls. They were after all just a bunch of high school kids to him”
  • “Baby Love” followed in September 1964 and reached #1 Pop, R&B, and in the U.K. The Supremes with “Baby Love” became the first all-girl group to reach number one in England.
  • The Supremes became the first American group to have three number ones from the same album when “Come See About Me,’ released in October 1964, reached number one.
  • The Supremes 1964 album “Where Did Our Love Go” featured a song entitled “Send Me No Flowers” about whether sending flowers can take the place of true affection. A floral bouquet may not be as satisfying as a hug but there is always an occasion to send a flower delivery.
  • With “Stop! In the Name of Love,” the Supremes became the first group to have four number ones in a row on the Billboard Hot 100.  The song also reached number 2 R&B and number seven in England.
  • The Supremes began on the historic Motown Revue tour through Europe. It was while on this tour this tour that the Supremes developed their hand motions (resembling a traffic cop stopping oncoming car) for “Stop! In the Name of Love” in the men’s room of a London TV studio with the help of Berry Gordy and the Temptation’s Paul Williams and Melvin Franklin prior to a live appearance.
  • “Back in My Arms Again, on June 12, 1965, became the Supremes fifth #1.
  • Not only were the Supremes competing head on with the British invasion, they were becoming superstars in the realm of pop entertainment. On July 29, 1965 they headlined New York’s famous Copacabana nightclub.
  • The same month “Nothing But Heartaches” was released and broke the string of number ones, only reaching #11.  But it was a short-lived decline as “I Hear a Symphony” reached number one on November 20th.
  • In early 1966 they had hits with “My World is Empty Without You” (#5) and “Love is Like a Itching in My Heart” (#9).  “You Can’t Hurry Love” reached #1 on September 10, 1966 which began a new string of #1s that included “You Keep Me Hanging On,” “Love is Here and Now You Are Gone,” and “The Happening”, the last of ten #1s written by Holland-Dozier-Holland for the Supremes. They left Motown to form their own labels, Hot Wax and Invictus.
  • Friction between Ballard and Ross had taken its toll and Ballard missed two shows in Montreal and New Orleans. Part way through the Supremes appearance at the Flamingo Hotel in Las Vegas, Ballard was fired by Gordy and replaced by Cindy Birdsong of the Bluebelles.
  • Gordy now renamed the group Diana Ross and the Supremes. Though Diana was gaining stature on her way to a solo career, the new lineup was not nearly as successful saleswise. Over the next two years twelve singles were released with only “Love Child” reaching number one.
  • “Someday We’ll Be Together,” issued in October 1969, became the Supremes last number one record, the trios last record together, and they performed it in the last of twenty appearances on the Ed Sullivan Show. Also, it was the last song they sang together when they appeared at the Frontier Hotel in Las Vegas on January 14, 1970. Then while on stage Ross introduced her replacement Jean Terrell.
  • On March 7, 1970 the Jean Terrell led Supremes reached the Billboard charts with “Up the Ladder to the Roof” (#10) and proved the group name still had power even without Ross. In fact, their Right On album with Terrell did better (#25) than the double live farewell album with Ross (#46).
  • The new Supremes third single “Stoned Love” (#7 pop) was a million seller in 1970 and became the Supremes eighth number one on the R&B charts.
  • In June 1972, Birdsong left for home and family and was replaced by Lynda Lawrence, who was followed by a succession of replacements that included Sherrie Payne, Birdsong again, and Susaye Greene.  On December 1976 Mary Wilson left and was replaced by Karen Jackson.
  • The Supremes last pop single was “You’re Driving My Wheel” (#85 1976), and the group was soon disbanded. Florence Ballard, after leaving the Supremes in 1967, did two singles for ABC Records and then spent several years fighting Motown in a lawsuit over her firing. She lost the suit, spent sometime on welfare attempting to support her three children and despondent, Ballard died of a heart attack at Monte Carmel Mercy Hospital in Detroit at the age of only thirty two.
  • The driven and aggressive Ross realized her every dream as a superstar performer and actress of the 70s and 80s.  She had forty-one Hot 100 hits and her movie career included roles in Lady Sings the Blues and The Wiz.  Mary Wilson went on to form her own group Mary Wilson and the Supremes, with Karen Jackson and Karen Ragland.
  • In May 1983, she, Ross, and Birdsong reunited for Motown’s 25th anniversary TV show and in 1984, Wilson wrote her story Dream Girl: My life as a Supreme.
  • The Supremes were inducted into the Rock and Roll Hall of Fame in 1988 as the number one female group. Together they had 18 Hot 100 hits as the Supremes, nine as Diana Ross and the Supremes, three as Diana Ross and the Supremes and Temptations, twelve as the Supremes after Ross left, and two as the Supremes and the Four Tops. Obviously, the whole was always greater than its parts to its fans, and the Supremes sound as good at the end as they did when the hits first started.

 

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DO YOU LIKE CONTESTS?
Me, too.
As you may know the Kowalski Heat Treating logo finds its way
into the visuals of my Friday posts.
I.  Love.  My.  Logo.
One week there could be three logos.
The next week there could be 15 logos.
And sometimes the logo is very small or just a partial logo showing.
But there are always logos in some of the pictures.
So, I challenge you, my beloved readers, to count them and send me
a quick email with the total number of logos in the Friday post.
On the following Tuesday I’ll pick a winner from the correct answers
and send that lucky person some great KHT swag.
So, start counting and good luck!  
Oh, and the logos at the very top header don’t count.
Got it? Good.  :-))))
Have fun!!

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Smokin Good!!

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Smoked meats are fantastic!!! And smokin ‘em is something we can do ourselves. You could build a smokehouse in your backyard for $27,500. Or get the awesome Meadow Creek TS250 Barbeque Smoker Trailer (second photo down) for only $7,195. See that baby HERE.  But most of us will opt for a less expensive option providing the same results. Check out all the smoker options, meat options, helpful tips, a couple of great recipes and some great smokin music in the story below. Haaaaaaaaaappy Smokin!!! 

Now that the mercury is starting to climb, it’s time once again for me to revisit an interest I can’t quite stop thinking about when in the backyard – smoking meats.  Now, for sure I am no expert at all – just a lover of things that come off the grill (and all the other items that fill my plate).  There is no doubt, a good piece of smoked meat is a work of art — it takes time, talent, and know-how to get it right. Even if my fellow “smokers” disagree on the finer points, I’m confident we all agree on one thing: smoked meat is freaking awesome.  To get things started, I searched the internet for some good “basics” on meat and equipment, and then included some of my favorite recipes… (honestly, is there anything better than juicy smoked and barbequed ribs?? (ok, brisket is right up there).  Be sure to check out the links below for additional info – crank up your grills and have fun.  And if you happen to hit the jackpot on a favorite recipe, be sure to send it over for me to try (skowalski@khtheat.com ).  As I am writing this all I can think of is ribs with some of Jackie’s great potato salad! (which will be for a whole other post).  Thanks to Wikipedia, themanual.com, heygrillhey.com, thefoodnetwork.com, youtube.com.

  • Smoking has been used as a way of preserving and flavoring food for many thousands of years.  Our ancestors discovered, probably by serendipity, that foods exposed to smoke lasted longer before spoiling.
  • Smoking processes and methods have been passed down through generations and are still very much in use today around the world.  In some countries, these time-honored techniques form part of the essential yearly ritual of preserving fish and meat, especially in autumn to provide protein over the winter when hunting proves less bountiful.
  • In Medieval Europe, when an animal was slaughtered (often pigs) much of the meat was smoked for preservation.  Many smallholdings had dedicated smoke houses where the meat was smoked and stored.  The less affluent hung their meat high up on the edges oftheir hearth or fireplace at night.  Ashes were placed over the embers to extinguish any flames which produced an ideal Smoky environment in which to preserve their fish or game.
  •  Through years of culinary trial and error, humanity has determined the best smoking techniques and, in the process, elevated the age-old practice to a level of mastery on par with any other cooking endeavor.
  •  There are entire books written on the subject, but contrary to popular belief, it doesn’t take years to learn how to smoke. Here’s some information you need to know to dive right in and start smoking meat like pro within a day. First things first, though; you’ll need a smoker.

Types of Smokers

  • Electric smokers use electricity to heat up a rod (or similar heating element), which then causes the wood to smoke. These are the easiest in terms of heat control since all you have to do is turn a dial to adjust the temperature. They also tend to be the most expensive, and they impart the least amount of smoked flavor compared to the other options.
  • Propane smokers work almost exactly like electric smokers, but use a gas-fueled flame instead of a heating element to make the wood pellets smolder. These are pretty simple and might be a better choice for people in areas where electricity is expensive or scarce.
  • Charcoal smokers are a favorite among barbecue masters, who believe that charcoal imbues more flavor compared to propane and electric. Charcoal smokers tend to be cheaper, but you also have to buy charcoal every time you want to smoke. Charcoal also requires you to start and maintain a fire without the help of modern technology.
  • Wood smokers are definitely the way to go for the purest flavor, but they require the most attention and care out of all the options because they’re harder to keep at a constant temperature. For this reason, I would recommend wood smokers after you’ve learned the basics.
  • Pellet smokers are similar to wood smokers, but the wood has been condensed into a convenient pellet form (hence the name). However, they are much easier to use. Instead of splitting firewood, stacking it, and babysitting the flame, you simply load the pellets into an oven-like compartment. The only downside? Like their electric brethren, pellet smokers tend to be expensive.
  • Combos – more serious cook/chefs like to buy combination gas grills and smokers – this can get expensive, but down the road may be the best option for you to truly enjoy the art of outdoor cooking.

Best Meats to Smok


When hunting for the right chunk of meat, try to pick something that will benefit from the slow-cooking process. Don’t shy away from cuts with lots of connective tissue and fat known as “marbling.” A generous marble will make the finished product more succulent and delicious.

  • Beef brisket is a go-to and great “starter” meat, and you can never go wrong with ribs.
  • Pork shoulder is another meat that lends itself to smoking.
  • If you want to smoke a steak, the bigger the cut, the better.
  • You might also turn to your butcher shop for some lesser-known cuts like tri-tip and chuck eye, just to see what happens. Who knows, you may fall in love with a new cut of meat.

Wood For Smoking Meat
This is the flavor engine, along with your rubs and sauces.  Experimenting is big part of the fun, so try different woods and wood combinations – nice excuse to keep cooking too!

  • Alder has a light and naturally sweet flavor, which makes it great for pairing with fish, poultry, and any white meat.
  • Applewood has a fruity and sweet smoke that pairs wonderfully with pork, fish, and poultry.
  • Hickory has a strong and distinct flavor that’s ideal for red meat, especially ribs.
  • Pecan gives your meat somewhat of a fruity flavor and burns cooler than most other barbecue woods. It’s similar to hickory and is best used on large cuts like brisket and pork roast, but can also be used to complement chops, fish, and poultry.
  • Maple has a sweet and delicate taste and tends to darken whatever meat you’re smoking. It goes well with alder, oak, or applewood, and is typically used for poultry and ham.
  • Mesquite is undoubtedly the most pungent wood you can smoke, which means it can easily overpower your meat if used improperly. Avoid using mesquite with larger cuts that require longer cooking times. You can also use it with a mix of other woods.
  • Oak on the other hand, is great for big cuts of meat that take a long time to cook. It has a subtle flavor that will emerge the longer the meat is in the smoker.
  • Cherrywood is best suited for red meat and pork; it also pairs well with alder, hickory, and oak.

The Importance of Brining
Brining your meat keeps it from drying out during the smoking process. It’s all about science — the salt in the brine makes the proteins in the meat more water-absorbent. When sodium and chloride ions get into the meat tissue, their electrical charges mess with the proteins (especially myosin), so they can hold onto moisture more effectively and lose less of it during the cooking process. For optimal moisture retention, soak your meat in a brine for 10-12 hours before smoking.

In its most basic form, brine is nothing more than salty water, however, it benefits from the addition of herbs and spices. To make a good base, add three tablespoons of salt to one quart of water, then throw in whatever else you prefer. Brining is a bit of a double-edged sword: It helps meat retain moisture but also makes it saltier. Some chefs use sugar and molasses to combat the salty flavor.

Keep it Low and Slow:
Low and slow is the key to good meat. Keep your temperature between 212 degrees Fahrenheit and 230 degrees Fahrenheit for the best results. These lower temperatures generally won’t cause the meat’s cell walls to burst, which helps make the meat more succulent and allows it to retain nutrients.

Yummy Recipes: 
Texas Style Smoked Beef Brisket: CLICK
“Oh Baby” Baby Backed Ribs: CLICK

Songs to Smoke Meat To:
You Tube Favorites: CLICK

 

 

 

 

Just Feel Good

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Music that speaks to you just plain feels good. 

Phew.  What crazy times we are having.  Washing – my hands have never been this clean although I do like the hand lotion I am using now!  Distancing – this has been the toughest part for me, since I am a hugger!  Conference calls – exploring all of the benefits of using Zoom to stay in touch with customers and loved ones.  Reading every text and glued to the TV – Jackie will be glad to tell you I have always loved binge watching!  We are all waiting for the virus to break while doing our part to help our neighbors, friends, and local take out places.  I’m guessing you are a lot like me – ready to get out of the “funk cloud”, and just feel a little better.  For me, that means putting on some fun music, getting out of my chair, and puttin’ a little boogie in my step (don’t worry – it will not result in a YouTube video of me dancing!)  For all my blog buds out there, here’s Steve’s list of “feel good” favorites.  Each one takes me back in time to a special memory – dancing with the girls, watching a great movie, driving in the car with the radio blasting on vacation with the family or just putting a big smile on my face.  I’m sure you’ll have your favorites as well – so please, once you’ve clicked on all the links, send me an email at skowalski@khtheat.com with the title and YouTube link to share with the gang.  Special thanks to all sorts of “lists” and especially YouTube for the amazing videos and technology.  ENJOY!

 

HERE’S A LINK TO “KHT’S FEEL GOOD FAVORITES” ON SPOTIFY 
( THIS IS MY GIRLS FAVORITE FROM OUR ROAD TRIPS WHEN THEY WERE LITTLE.)

 

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DO YOU LIKE CONTESTS?
Me, too.
As you may know the Kowalski Heat Treating logo finds its way into the visuals of my Friday posts.
I.  Love.  My.  Logo.
One week there could be three logos. The next week there could be 15 logos. And sometimes the logo is very small or just a partial logo showing. But there are always logos in some of the pictures.
So, I challenge you, my beloved readers, to count them and send me a quick email with the total number of logos in the Friday post. On the following Tuesday I’ll pick a winner from the correct answers and send that lucky person some great KHT swag.
So, start counting and good luck!  Oh, and the logos at the very top header don’t count. Just in the pictures area. Got it? Good.  :-))))  Have fun!!

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Aquarian Exposition

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(Top two photos) Nick Ercoline and Bobbi Kelly were boyfriend and girlfriend wrapped in a muddy blanket at Woodstock and wound up on the Woodstock album cover. Two years later they were married. And now, 50 years later, we’re still having fun together,” says Nick. Bobbi is a retired school nurse and Nick a carpenter. Their married life contrasts with the sex, drugs and rock ‘n’ roll of that era. “In 1969, it was all about free love, living in communes; people weren’t monogamous. At the end of the day we are the opposite of that. (row three) An original poster and ticket; (rows four, five and six) The feel of the crowd; (row seven) Jimmy Hendrix and Richie Havens; (row eight) Country Joe McDonald and Janis Joplin; (row nine) The crowd on Max Yasgur’s farm.  Wow!!

Peace and love.  Doesn’t get much simpler.  It’s been 50 years since one of the most recognized rock concerts in history – Woodstock took place this weekend.  What started as a small fundraising event to build a remote recording studio turned into over 400,000 peaceful and loving youngsters singing and dancing on muddy hillsides.  Looking back, I love to read the unique behind the scenes history that led up to the event and relive the artists who became world renowned from their live performances (and those who said “no”). And talk about your PIA (Pain in the #%$) Jobs – food, water, bathrooms, first aid, parking, traffic, stage logistics, lighting, sound and more – all got figured out … and THEN the rains came … wow! Hats off to all of those involved. Here is some really fun trivia on the events leading up to the festival, the performers who took the stage, and those who had other plans (and regret it).  Enjoy, and be sure to click on the links to hear some of your favorite songs and see some great video footage.

Woodstock was a music festival held August 15–18, 1969, which attracted an audience of more than 400,000. Billed as “an Aquarian Exposition: 3 Days of Peace & Music”, it was held at Max Yasgur‘s 600-acre dairy farm in Bethel, New York, 43 miles southwest of the small town of  Woodstock.

Thirty-two acts performed outdoors despite sporadic rain. It has become widely regarded as a pivotal moment in popular music history, as well as the definitive nexus for the larger counterculture generation of the late 60’s.

Woodstock was initiated through the efforts of Michael Lang, Artie Kornfeld, Joel Rosenman, and John P. Roberts. Roberts and Rosenman financed the project. Lang had some experience as a promoter, having co-organized the Miami Pop Festival on the East Coast the prior year, where an estimated 25,000 people attended the two-day event.

Early in 1969, Roberts and Rosenman were New York City entrepreneurs, in the process of building Media Sound, a large audio recording studio complex in Manhattan. Lang and Kornfeld’s lawyer, Miles Lourie, who had done legal work on the Media Sound project, suggested that they contact Roberts and Rosenman about financing a similar, but much smaller, studio Kornfeld and Lang hoped to build in Woodstock, New York. Unpersuaded by this Studio-in-the-Woods proposal, Roberts and Rosenman counter-proposed a concert featuring the kind of artists known to frequent the Woodstock area (such as Bob Dylan and The Band).

Kornfeld and Lang agreed to the new plan, and Woodstock Ventures was formed in January 1969. From the start, there were differences in approach among the four: Roberts was disciplined and knew what was needed for the venture to succeed, while the laid-back Lang saw Woodstock as a new, “relaxed” way of bringing entrepreneurs together. When Lang was unable to find a site for the concert, Roberts and Rosenman, growing increasingly concerned, took to the road and eventually came up with a venue – a small dairy farm in upstate New York.

In April 1969, Creedence Clearwater Revival became the first act to sign a contract for the event, agreeing to play for $10,000 (equivalent to about $75,000 today). The promoters had experienced difficulty landing big-name groups prior to Creedence committing to play, as many popular groups were already committed to other concerts and projects. Creedence drummer Doug Cliffordlater commented, “Once Creedence signed, everyone who could jumped in line and all the other big acts came on.”

Woodstock was designed as a profit-making venture (it became a “free concert” only after the event drew hundreds of thousands more people than the organizers had prepared for). Tickets for the three-day event cost $18 in advance and $24 at the gate (equivalent to about $120 and $160 today). Ticket sales were limited to record stores in the greater New York City area, or by mail via a post office box at the Radio City Station Post Office located in Midtown Manhattan. Around 186,000 advance tickets were sold, and the organizers anticipated approximately 200,000 festival-goers would turn up.

Town officials were assured by the promoters that no more than 50,000 would attend. Town residents immediately opposed the project, and passed a law requiring a permit for any gathering over 5,000 people. On July 15, 1969, the Wallkill Zoning Board of Appeals officially banned the concert on the basis that the planned portable toilets would not meet town code. Reports of the ban, however, turned out to be a publicity bonanza for the festival.

The organizers once again told Bethel authorities they expected no more than 50,000 people.

Despite resident opposition and signs proclaiming, “Buy No Milk. Stop Max’s Hippy Music Festival”,Bethel Town Attorney Frederick W. V. Schadt, building inspector Donald Clark and Town Supervisor Daniel Amatucci approved the festival permits, but the Bethel Town Board refused to issue the permits formally. Clark was ordered to post stop-work orders.

Subsequently, on August 2, 1969, the Building Inspector informed Woodstock Ventures, Inc. that the Stop Work Order was lifted, and the festival could proceed pending backing by the Department of Health and Agriculture, and removal of all structures by September 1, 1969.

The late change in venue did not give the festival organizers enough time to prepare. At a meeting three days before the event, organizers felt they had two options: one was to complete the fencing and ticket booths, without which the promoters would lose any profit or go into debt; the other option involved putting their remaining available resources into building the stage, without which the promoters feared they would have a disappointed and disgruntled audience.

When the audience began arriving by the tens of thousands the next day, the Wednesday before the weekend, the decision was made for them. Those without tickets simply walked through gaps in the fences, and the organizers were forced to make the event free of charge. Though the festival left its promoters nearly bankrupt, their ownership of the film and recording rights more than compensated for the losses after the release of the hit documentary film Woodstock in March 1970.

The influx of attendees to the rural concert site in Bethel created a massive traffic jam. Fearing chaos as thousands began descending on the community, Bethel did not enforce its codes. Eventually, announcements on radio stations as far away as WNEW-FM in Manhattan and descriptions of the traffic jams on television news discouraged people from setting off to the festival.The facilities were not equipped to provide sanitation or first aid for the number of people attending; hundreds of thousands found themselves in a struggle against bad weather, food shortages, and poor sanitation.

On the morning of Sunday, August 17, New York Governor Nelson Rockefeller called festival organizers and told them he was thinking of ordering 10,000 New York State National Guard troops to the festival. Roberts was successful in persuading Rockefeller not to do this. Sullivan County declared a state of emergency. During the festival, personnel from nearby Stewart Air Force Base assisted in helping to ensure order and airlifting the performers in and out of the concert venue.

Although the festival was remarkably peaceful given the number of people and the conditions involved, there were two recorded fatalities: one from insulin usage, and another caused in an accident when a tractor ran over an attendee sleeping in a nearby hayfield.

There were two births recorded at the event (one in a car caught in traffic and another in a hospital after an airlift by helicopter) and four miscarriages.

Yet, in tune with the idealistic hopes of the 1960s, Woodstock satisfied most attendees. There was a sense of social harmony, which, with the quality of music, and the overwhelming mass of people, many sporting bohemian dress, behavior, and attitudes, helped to make it one of the enduring events of the century.

After the concert, Max Yasgur, who owned the site of the event, saw it as a victory of peace and love. He spoke of how nearly half a million people filled with potential for disaster, riot, looting, and catastrophe spent the three days with music and peace on their minds. He stated, “If we join them, we can turn those adversities that are the problems of America today into a hope for a brighter and more peaceful future…”

Order of the Performers and some trivia:

Declined invitations or missed connections:

  • Bob Dylan– a resident of the town of Woodstock, was never in serious negotiation. Instead, Dylan signed in mid-July to play the Isle of Wight Festival of Music, on August 31. Dylan had been unhappy about the number of hippies piling up outside his house in the nearby town of Woodstock.
  • Simon & Garfunkel declined the invitation, as they were working on their new album.
  • The Jeff Beck GroupJeff Beck disbanded the group prior to Woodstock. “I deliberately broke the group up before Woodstock,” Beck said. “I didn’t want it to be preserved
  • Led Zeppelin was asked to perform. Their manager Peter Grant stated: “We were asked to do Woodstock and Atlantic were very keen, and so was our U.S. promoter, Frank Barsalona. I said no because at Woodstock we’d have just been another band on the bill.”
  • The Byrds were invited, but chose not to participate, believing that Woodstock would be no different from any of the other music festivals that summer.
  • Chicago,at the time still known as the Chicago Transit Authority, had initially been signed on to play at Woodstock. However, they had a contract with concert promoter Bill Graham, which allowed him to move Chicago’s concerts at the Fillmore West, to let Santana play at Woodstock.
  • Tommy James and the Shondells declined an invitation. Lead singer Tommy James stated later: “We could have just kicked ourselves. We were in Hawaii, and my secretary called and said, ‘Yeah, listen, there’s this pig farmer in upstate New York that wants you to play in his field.’ That’s how it was put to me. So we passed, and we realized what we’d missed a couple of days later.”
  • The Moody Blues were included on the original Wallkill poster as performers, but decided to back out after being booked in Paris the same weekend.
  • Frank Zappa,then with The Mothers of Invention, according to the Class of the 20th Century U.S. television special, said “A lot of mud at Woodstock … We were invited to play there, we turned it down.”
  • Arthur Lee and Love declined the invitation, but Mojo Magazine later described inner turmoil within the band which caused their absence at the Woodstock festival.
  • Free was asked to perform and declined. They did however play at the Isle of Wight Festival, a week later.
  • Mind Garage declined because they thought the festival would be a minor event, and they had a higher paying gig elsewhere.
  • The Doors were considered as a potential performing band but canceled at the last moment. According to guitarist Robby Krieger, they turned it down because they thought it would be a “second class repeat of Monterey Pop Festival” and later regretted that decision.
  • Spirit also declined an invitation to play, as they already had shows planned and wanted to play those instead, not knowing how big Woodstock would be.
  • Joni Mitchell was originally slated to perform, but cancelled at the urging of her manager to avoid missing a scheduled appearance on The Dick Cavett Show. She later described the event as “a spark of beauty” where half-a-million kids “saw that they were part of a greater organism”.
  • Lighthouse declined to perform at Woodstock.
  • Roy Rogers was asked by Lang to close the festival with “Happy Trails” but he declined.
  • Procol Harum was invited but refused because Woodstock fell at the end of a long tour and also coincided with the due date of guitarist Robin Trower’s baby.
  • Jethro Tull also declined. According to frontman Ian Anderson, he knew it would be a big event but he did not want to go because he did not like hippies and other concerns including inappropriate nudity, heavy drinking and drug use.
  • Raven – turned down his offer based on the fact that the year before the band played at one of the Woodstock Sound-Outs and the gig didn’t go well. Lang assured them that his concert was going to be different. The band respectfully turned down.[69]
  • Blues Image,according to a 2011 interview with percussionist Joe Lala, agreed to appear at the Woodstock festival. Their manager did not want them to go and said, “There’s only one road in and it’s going to be raining, you don’t want to be there”.
  • Iron Butterfly was booked to appear, and is listed on the Woodstock poster for a Sunday performance, but could not perform because they were stuck at LaGuardia Airport.
  • The Rascals were invited to play the festival but declined because they were in the middle of recording a new album.
  • When enquiries were made about The Beatles possibly appearing, it was also suggested that a recent signee to their label Apple Records should also get an invite. That artist was James Taylor.When the group declined their invitation Taylor’s invite was withdrawn as well.
  • Allegedly, The Rolling Stones were also sent an invitation, but declined because Mick Jagger was in Australia filming Ned Kelly, and Keith Richards‘ girlfriend Anita Pallenberg had just given birth to their son Marlon.

Okay. A couple more links. About an hour each:
Woodstock Day One – Friday
Woodstock Day Two – Saturday

 

 

Live to be a hundred minus one day…

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Remember the one(s) you love…Happy Valentines’ Day!

 

Love.  The universal, magical and amazing emotion we all know, (and love).  Of country, of family, of children, of grandchildren, of spouses, of those we choose to spend time with and of the work we do (did I tell you we love your PIA (Pain In The @%$) Jobs!)  I searched for words of wisdom and came across a great quote, by the prognosticator of knowledge and all things wise – love words to live by … Winnie the Pooh.

If you live to be a hundred, 
I want to live to be a hundred minus one day, 
So I never have to live without you.

Dang.  Sort of nailed it for me.  With Valentine’s Day just around the corner, I thought I’d share some of the great love songs of days gone by.  Searching online, of course, you can find tons of songs, but I decided to pare it down a bit to just some classics.  Men, be sure to remember to get a card to go along with that chocolate or special gift … or wait, just be sure to remember!!  (ladies too).  Light some candles, crank up the volume, and sing along.  And special thanks to Good Housekeeping for their list, and the amazing You Tube channel for the music.  Enjoy.

Classic Top 10 Love Songs

  1. Unforgettable– Nat King Cole
  2. That’s Amore– Dean Martin 
  3. What Is This Thing Called Love– Frank Sinatra
  4. One In A Million– The Platters
  5. Twelfth of Never– Johnny Mathis
  6. At Last– Etta James
  7. I Can’t Help Falling In Love With You– Elvis Presley
  8. My Girl– The Temptations
  9. L-O-V-E– Nat King Cole
  10. All You Need Is Love– The Beatles

BONUS
Steve’s Favorites: You can ask Jackie and the girls!

  1. Butterfly Kisses – Bob Carlisle
  2. If – Bread
  3. That’s How You Know  – Amy Adams – movie – Enchanted

Find other great Love Songs HERE

(clockwise from top left) Nat King Cole; The Platters; The Temptations; The Beatles; Johnny Mathis; Dean Martin; Frank Sinatra; Elvis Presley; Etta James.

 

 

 

… and the Comets

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(left column top to bottom) That’s the man, Bill Haley. The real King of Rock ‘n Roll! ; The band with the bassist and the sax player doing their thing. I imagine this horrified the parents of the day; If that guy in the military uniform looks like Elvis Presley, it is. Back stage at Haley’s 1958 European tour in Germany. That bottom photo of teens dancing is from the movie “Rock around the Clock” and represents what really did horrify parents of the day. But they dressed nice and not a tattoo in sight. (right column top to bottom) Loads and loads of albums and 45 RPM singles produced in his fabulous game-changing career.

The other morning, I arrived earlier at the office than I usually do (5am), took an extra-long morning run in down past the Rock ‘N Roll Museum and then logged on for the daily production reports.  I took pause of the amazing efforts of my staff, monitoring all the jobs that run overnight, keeping everything on track for the morning shift to come in and pick up where they left off.  In sort of a crazy way, it got to thinking about each hour – one o’clock, two o’clock, and it reminded me of that great fun dance tune by Bill Haley and the Comets (perhaps it was my encounter with the Rock Hall earlier).  Yep, you know what happens next – I started singing the song in my head, over and over, and then finally sat down at the computer to see what I could dig up.  And sure enough, some fun trivia and history on Bill and his famous Cleveland Rock Hall inductee band. So, for my music trivia gang, here you go (I included some early history, as I’m always intrigued where musicians came from, their families and influences – be sure to click on the links to some really great tunes – and special thanks to history-of-rock.com, You Tube and my guys who keep the shop humming all night long.

  1. Billy Haley and his Comets fused elements of country music, Western Swing, and black R&B to produce some of rock and roll’s earliest hits.
  2. Bill Haley was born in Highland Park, Michigan on July 6, 1925 to William and Maude Haley. The couple’s second child, Haley had a sister Margaret who was born two years earlier. When Haley was four while having an operation to repair an inner ear ailment the doctor accidental cut an optic nerve. The result was that Haley would never ever see out of his left eye.
  3. The Haley’s had moved to Detroit from Firebrick, Kentucky, where William Sr. found work in a nearby service station as a mechanic while his wife gave piano lessons in their home for twenty-five cents an hour. Maude Haley, a woman of strong religious convictions, had come to America with her family from Ulverston in Lancastshire, England before the First World War. Later the family moved to Boothwyn, near the town of Chester, Pennsylvania.
  4. At thirteen Haley received his first guitar. His father taught him to play the basic chords and notes by ear. It was at this time he began his dream of becoming a singing cowboy like the ones he idolized every Saturday afternoon at the movie houses in nearby Marcus Hook or Chester.
  5. In June of 1940, just before his fifteenth birthday, Haley left school after finishing the eighth grade and went to work bottling water at Bethel Springs. This company sold pure spring water and fruit flavored soft drinks in a three-state area. Here he worked for 35 cents an hour, filling large five-gallon glass bottles with spring water.  Only the absolute best of the best were making a living from making music. At 18 he made his first record “Candy Kisses” and for the next four years was a guitarist and singer with country and western bands.
  6. After time on the road with the Down Homers, Haley returned to his parents’ home in Booth’s Corner in September of 1946. He was ill, disillusioned and so broke he had to walk from the train station in Marcus Hook four miles to Booth’s Corner. His only request to his mother was not to tell anyone he was home, not even his fiancé Dorothy. Bill fell into bed and slept thirty hours. Over the next two weeks Mrs. Haley slowly nursed her itinerant son back to health.
  7. By the age of 21, Haley felt he wasn’t going to make it big as a cowboy singer and ill left the ‘Downhomers’ and returned to Chester to host a local radio program. At this time, he also married his childhood sweetheart Dorothy Crowe a beautiful part American Indian girl.
  8. Haley was hired in 1947 as musical director for radio station WPWA.
  9. It was during this time that he put together a band The Four Aces of Swing that performed on his show.
  10. In the summer of 1950, through the efforts of Jimmy Myers, Bill Haley and his Saddlemen cut their first records. They were on Ed Wilson’s Keystone label, a small Philadelphia independent publisher. The songs were standard western swing tunes: “Deal Me A Hand” /” Ten Gallon Stetson” and “Susan Van Dusan” /” I’m Not to Blame.”  They were the first recordings of the band that would become the nucleus of the world-famous Comets.
  11. With their new, exciting sound, the name “Saddlemen” no longer seemed appropriate. According to Marshall Lytle, it was Bob Johnson, Program Director at WPWA who first suggested the name Haley’s Comets. “Ya ‘know, with a name like Haley, you guys should call your group the Comets!”
  12. Just before the Thanksgiving holidays in 1952, Haley’s band changed their name and their image for the last time. The four young musicians, turned their backs on their beloved country/ western music and bravely faced an unknown future as “Bill Haley and His Comets”.
  13. One example of that change was “Rock the Joint” which sold 75,000 copies. In 1953 he wrote “Crazy Man Crazy” which became the first rock and roll record to make the Billboardpop chart reaching the Top 20.
  14. On April 1st, 1954, Myers, Gabler and Bill Haley met in Decca’s New York offices. The three men discussed a contract for four records a year, a standard royalty of 5% of sales, $5,000.00 in advance royalties and the understanding that Decca would mail out each release to two thousand disc-jockeys with full support publicity. Support included full page ads in Billboard and Cash Box magazines! With the deal set and signed, the three men shook hands and agreed on a recording date four days after the Essex contract was due to expire.
  15. It was while at Decca that Haley fell under the influence of Milt Gabler who had produced Louis Jordan. Gabler would convince Haley to change his sound. That change would be evident when on April 12th 1954, at Pythian Temple Studio with the recording of “Rock Around the Clock.” The song that introduced rock & roll to America. “Rock Around the Clock.” The song was a modest hit, until it was used as the title track of “The Blackboard Jungle,” a movie about juvenile delinquents, some 12 months later, and then it exploded.
  16. His next record a cover of Joe Turner’s “Shake, Rattle and Roll’ was a top ten hit.  It was the first rock & roll record to sell a million copies
  17. The next really big hit came with “See You Later Alligator” which sold a million copies within a month.
  18. In September 1955 band members Dick Richards, Marshall Lytle and Joey D’Ambrosio went to the Comet’s manager Jim Ferguson and asked for a raise. Turned down, they gave two weeks notice, and went and signed with Capital Records and recorded as the Jodimars. Lytle was replaced by Al Rex,Haley’s original basist from the Saddlemen, D’Ambrosio by Rudy Pompilli and Richards by Ralph Jones.
  19. In 1957, Haley began touring in Britain as his popularity began fading at home. The first American Rock and Roll star to come to Britain, he was met with large and enthusiastic crowds. The British soon found out what American teenagers already knew. Haley with his spit curl was old (30), overweight and rather mechanical when compared to Little Richard, Jerry Lee Lewis, Gene Vincent and Elvis who were younger and who’s music was more exciting. Bill Haley & His Comets were there first, but now they were part of the “establishment”.
  20. After 1957 Haley had a few minor hits but spent the remainder of his life touring and playing Rock and Roll Revival shows throughout Europe and the US. In the early morning hours of February 9th, 1981, Bill called two of his sons, Scott and Jack, and had his last known conversations. He died, in his sleep of an apparent heart attack, about 6:30 that morning at his home in Harlingen, Texas.
  21. Although several members of the Comets became famous, Bill Haley remained the star. With his spit curland the band’s matching plaid dinner jackets and energetic stage behavior, many fans consider them to be as revolutionary in their time as  the Beatles were a decade later. Haley and his band were inducted into The Rock and Roll Hall of Fame in 1987.

Oh, What the Heck, Crank Up the Sound!

“Bill Haley was a celestial body that inhabited planet earth. He gave the teenagers something they never had before – their own music!”  –Unknown

CLICK – Clip from the movie “Rock Around the Clock” (1955)
CLICK – Bill Haley & The Comets sing one of their biggest hits – Shake Rattle & Roll.
CLICK – Bill Haley & His Comets – See You Later Alligator
CLICK – “Rock-A-Beatin’ Boogie” or “Razzle Dazzle” is a 1952 song composed by Bill Haley and first recorded by The Esquire Boys in 1952. It was recorded by Bill Haley and the Comets on September 22, 1955 and was released in October of 1955 as a single in the U.S. on Decca, backed with “Burn That Candle”. It reached #23 on Billboard, #24 on Cash Box, and #4 on the RU charts in January, 1956. The song was featured in the 1956 movie Rock Around the Clock (Wikipedia).
CLICK – Bill Haley and the Comets sing “Tequila” (live in Belgium, Brussels 1958) at the Royal Flemish Theatre.

 

 

“Yea, That’s My Country too!”

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(row one left) Francis Scott Key. (row one top right) The first sheet-music issue of “The Star-Spangled Banner” was printed by Thomas Carr’s Music store in Baltimore in 1814. (row one bottom right) The flag over Ft. McHenry (painter unknown) (row two left) 120,868,500 commemorative postage stamps were issued August 9, 1948. One of these in mint condition is worth around 60 cents today. 15 cents for a used one. (row two right) an engraving of a younger Francis Scott Key. They probably called him Frankie. (row three) The original Fort McHenry flag (15 stars and 15 stripes) measured 30 feet by 42 feet. It’s being preserved and restored in Washington, DC. (row four) Glorious isn’t it?

 

We’ve all been lucky to watch an amazing Olympic competition these past few weeks, with athletes from all over the world doing amazing things on the ice and snow.  Each one, of course, has their own story – some competing for the first time, some competing in their third of fourth Olympics (can you imagine) and others wrapping up their Olympic careers.  Consistently, every athlete talked about sacrifice, hardship and overcoming the odds, with a small few prevailing to stand on the podium, medal on chest, tears on their cheeks and hand over heart, proudly representing their county while listening to their respective national anthem.  I don’t know about you, but I feel really proud when the anthem plays, and get choked up seeing the athletes realize their accomplishments.

We all know our “official” USA anthem is the Star Spangled-Banner, but what you probably didn’t know is it took 40 attempts to get it through Congress (talk about perseverance) – tomorrow, March 3th is the anniversary of the adoption of the anthem.  For my trivia buds, here’s some interesting history and cool trivia about the great anthem we’ve all come to know as the strength and sound of the United States of America. Enjoy, and thanks Wikipedia, historian Mark Leepson and History.com for the info.

 

  1. A song is written.  By the dawn’s early light on September 14, 1814, Francis Scott Key peered through a spyglass and spotted an American flag still waving over Baltimore’s Fort McHenry after a fierce night of British bombardment. In a patriotic fervor, the man called “Frank” Key by family and friends penned the words to “The Star-Spangled Banner.” When he composed his verses, he intended them to accompany a popular song of the day. “We know he had the tune in mind because the rhyme and meter exactly fit it,” says Marc Leepson, author of the Key biography “What So Proudly We Hailed.” The first broadside of the verses, printed just days after the battle, noted that the words should be sung to the melody of “To Anacreon in Heaven.” (ironically an English song composed in 1775 that served as the theme song of the upper-crust Anacreontic Society of London and a popular pub staple).  Key was quite familiar with the tune, having used it to accompany an 1805 poem, which included a reference to a “star-spangled flag,” he had written to honor Barbary War naval heroes Stephen Decatur and Charles Stewart.
  2. Key was not imprisoned on a British warship when he penned his verses.  In his capacity as a Washington, D.C., lawyer, Key had been dispatched by President James Madison on a mission to Baltimore to negotiate for the release of Dr. William Beanes, a prominent surgeon captured at the Battle of Bladensburg. Accompanied by John Stuart Skinner, a fellow lawyer working for the State Department, Key set sail on an American sloop in Baltimore Harbor, and on September 7 the pair boarded the British ship Tonnant, where they dined and secured the prisoner’s release under one condition—they could not go ashore until after the British attacked Baltimore. Accompanied by British guards on September 10, Key returned to the American sloop from which he witnessed the bombardment behind the 50-ship British fleet.
  3. The flag Key “hailed at the twilight’s last gleaming” did not fly “through the perilous fight.” In addition to a thunderstorm of bombs, a torrent of rain fell on Fort McHenry throughout the night of the Battle of Baltimore. The fort’s 30-by-42-foot garrison flag was so massive that it required 11 men to hoist when dry, and if waterlogged the woolen banner could have weighed upwards of 500 pounds and snapped the flagpole. So as the rain poured down, a smaller storm flag that measured 17-by-25 feet flew in its place. In the morning, experts believe, they most likely took down the rain-soaked storm flag and hoisted the bigger one … and that’s the flag Key saw in the morning.
  4. The song was not originally entitled “The Star-Spangled Banner.” When Key scrawled his lyrics on the back of a letter he pulled from his pocket on the morning of September 14, he did not give them any title. Within a week, Key’s verses were printed on broadsides and in Baltimore newspapers under the title “Defence of Fort M’Henry.” In November, a Baltimore music store printed the patriotic song with sheet music for the first time under the more lyrical title “The Star-Spangled Banner.”
  5. The national anthem has four verses.  The version of “The Star-Spangled Banner” traditionally sung on patriotic occasions and at sporting events is only the song’s first verse. All four verses conclude with the same line: “O’er the land of the free and the home of the brave.” In 1861, poet Oliver Wendell Holmes wrote a fifth verse to support the Union cause in the Civil War and denounce “the traitor that dares to defile the flag of her stars.
  6. Key opposed American entry into the War of 1812.  Ironically, the man who created one of the lasting patriotic legacies of the War of 1812 adamantly opposed the conflict at its outset. Key referred to the war as “abominable” and “a lump of wickedness.” However, his opposition to the war softened after the British began to raid nearby Chesapeake Bay communities in 1813 and 1814, and he briefly served in a Georgetown wartime militia.
  7. Key was a consummate Washington insider.  Although Key loathed politics, he was a prominent figure in Washington, D.C. –  an important player in the early republic, He was a very successful and influential lawyer at the highest levels in Washington.  Key ran a thriving law practice, served as a trusted advisor in Andrew Jackson’s “Kitchen Cabinet” and was appointed a United States Attorney in 1833. He prosecuted hundreds of cases, including that of Richard Lawrence for the attempted assassination of Court.
  8. Key was a one-hit wonder who might have been tone deaf.  Key was much more adept in his legal day job than he was as an amateur poet. Most of the odes he composed were never meant to be seen beyond family and friends, and none came remotely close to realizing the popular fame of “The Star-Spangled Banner.” In addition to being a middling poet, Key also had a hard time carrying a tune. “Key’s family said he was not musical,” Leepson says, “which means he likely was tone deaf.”
  9. It did not become the national anthem until more than a century after it was written. Along with “Hail Columbia” and “Yankee Doodle,” “The Star-Spangled Banner” was among the prevalent patriotic airs in the aftermath of the War of 1812. During the Civil War, “The Star-Spangled Banner” was an anthem for Union troops, and the song increased in popularity in the ensuing decades, which led to President Woodrow Wilson signing an executive order in 1916 designating it as “the national anthem of the United States” for all military ceremonies.
  10. Song becomes national anthem.  On March 3, 1931, after 40 previous attempts failed, a measure passed Congress and was signed into law that formally designated “The Star-Spangled Banner” as the national anthem of the United States.
  11. The flag restored and on display.  Nearly two centuries later, the flag that inspired Key still survives, though fragile and worn by the years. Experts at the National Museum of American History completed an eight-year conservation treatment with funds from Polo Ralph Lauren, The Pew Charitable Trusts and the U.S. Congress.  With the construction of the conservation lab completed in 1999, conservators clipped 1.7 million stitches from the flag to remove a linen backing that had been added in 1914, lifted debris from the flag using dry cosmetic sponges and brushed it with an acetone-water mixture to remove soils embedded in fibers. Finally, they added a sheer polyester backing to help support the flag.  Said Brent D. Glass, the Museum’s Director – “The Star-Spangled Banner is a symbol of American history that ranks with the Statue of Liberty and the Charters of Freedom,” “The fact that it has been entrusted to the National Museum of American History is an honor.”